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infradig on phreshwater.com compilation disc

check out the review


more kinetic transfer press - jambands.com

Infradig has definitely made a statement with Kinetic Transfer. While they haven't strayed too far form their early funk/jazz course, they have opened their minds to the methodology that electronic pioneers continue to master. In doing so, their flow can leap and dip at a minute's notice, and the atmospheres they produce - whether jazz influenced or filled with electronic dissonance - are many. Their thick sounds completely soak through these seven tracks, taking the listener on a multifaceted, ride in just over 35 minutes.

Read the full review here.

- Jamie Lee for Jambands.com


Another impressive instrumental album from July is Infradig's Kinetic Transfer. We first picked up on their other album, Market St. Boogaloo,a few months ago. I couldn't believe that such a great album came from a band I had never heard anyone talk about. Based in Chattanooga, TN, Infradig taps into a sublime jazz mine excavated by Medeski, Martin, and Wood. Honing their chops with constant local gigs, the band has kick-started their own evolution. Kinetic Transfer boasts better production and a more mature collection of songs that the first album. Deep and primal, Infradig's loose grooves provoke both parts of your brain.

Bryan Rodgers, Homegrownmusic.net



Southeastern Performer Review

³Maroon mood.² ³Asymtotic.² ³The dare.² ³Add mass.² ³Groove vs. the ill.²
³Warmilksawzer. Benediction.²

Wait--that¹s the list of the tracks.Strange that I was feeling that exact sequence of moods while this frantically engaging EP played in my stereo. For example, nobody can really tell you what a maroon mood might feel like. Seemingly because of this, Infradig provides the definitions with their cyclical groove. Know the first track,and know its title, and you¹ll know all about a ³Maroon Mood.² Could it be that this is that rare good concept album? If so, it¹s hard totell exactly what the concept might be, since it completely lacks lyrics; also because the beats are hypnotic. ³Maroon Mood² begins when Joshua CalebGreen (drums) and David Kaufman (bass) collaborate on hard-hitting drum
and bass intro. The listener settles in with the onset of a steady yet restrained wah coming from Andrew Hobbs¹s guitar. A piercing synthesizer enters next, and from that point on, arguably for the rest of the album, Infradig develop upon the jam, each track representing different phases o fone musical statement.

At about 2:30 of the third track, ³The Dare,² the melody alternates between an ominous synth line and a more pleasant guitarpart, where the overriding mood goes along with the synth line, which alwayslurks around the bend, throughout all the relieving distractions. While no single one of them stands above the rest, all four of themusicians in this band display themselves as technically wise and creative players. The conglomerate is an eerie album with a coherent groove that runs above,below, around, and through all 7 tracks.
- Aaron Mendlesohn -Southeastern Performer